{"id":2570,"date":"2012-08-02T20:53:52","date_gmt":"2012-08-02T20:53:52","guid":{"rendered":"http:\/\/www.audiopronews.com\/?p=2570"},"modified":"2022-01-08T03:27:33","modified_gmt":"2022-01-08T03:27:33","slug":"antares-audio-technologies-introduces-auto-tune-live-the-real-time-pitch-correction-and-auto-tune-vocal-effect","status":"publish","type":"post","link":"https:\/\/audiopronews.com\/audio-plugins\/antares-audio-technologies-introduces-auto-tune-live-the-real-time-pitch-correction-and-auto-tune-vocal-effect\/","title":{"rendered":"Antares Audio Technologies introduces Auto-Tune Live &#8211; The Real-Time Pitch Correction and Auto-Tune Vocal Effect"},"content":{"rendered":"\n<p><a href=\"http:\/\/www.antarestech.com\/\" target=\"_blank\" rel=\"noopener nofollow\"><strong>Antares Audio Technologies<\/strong><\/a> has announced the <strong>Auto-Tune Live Real-Time Pitch Correction Plug-in<\/strong>. Featuring Antares&#8217; world standard <strong>Auto-Tune<\/strong> professional pitch correction, <strong>Auto-Tune Live<\/strong> is a real-time tool for correcting pitch errors, creatively modifying the intonation of a performance or producing the iconic <strong>Auto-Tune Vocal Effect<\/strong>. Specifically optimized for use in live performance and when tracking in the studio, <strong>Auto-Tune Live<\/strong> features ultra-low latency and comprehensive real-time MIDI control of its key performance parameters for the ultimate in creative real-time pitch processing.<\/p>\n\n\n\n<p><strong>Key Auto-Tune Live Top Features<\/strong><\/p>\n\n\n\n<p>\u2022 Ultra low-latency performance for virtually instant response on stage or when tracking in the studio<br>\u2022 Real-time MIDI control of Auto-Tune Live\u2019s key performance parameters<br>\u2022 MIDI control of target notes that lets users define target pitches in real-time during performance<br>\u2022 A Humanize function for the most natural and realistic pitch correction<br>\u2022 Natural vibrato control that allows the modification (in real time) of the depth of any vibrato that is present in the original performance<br>\u2022 Automatic formant correction and Antares\u2019 unique Throat Modeling technology for unmatched creative control of vocal timbre<br>\u2022 Superior pitch tracking and correction with Antares\u2019 second-generation Evo\u2122 Voice Processing Technology<\/p>\n\n\n\n<p>\u201cWith the trend to using Auto-Tune during tracking, we&#8217;ve been hearing from many of our professional Auto-Tune users that they&#8217;d really like a full-featured real-time Auto-Tune plug-in with minimal latency,\u201d said Marco Alpert, Antares VP of Marketing. \u201cWith Auto-Tune Live, we&#8217;ve focused on meeting that need, as well as offering enhanced MIDI features for a new level of real-time performance control.\u201d<\/p>\n\n\n\n<p><strong>Auto-Tune Live<\/strong> is available in<strong> RTAS<\/strong>, <strong>VST3<\/strong> and <strong>Audio Unit<\/strong> versions for <strong>Macintosh<\/strong> and<strong> RTAS<\/strong> and <strong>VST3<\/strong> for <strong>PC<\/strong>. The<strong> VST3<\/strong> and <strong>Audio Unit<\/strong> versions are 64-bit compatible. <strong>Macintosh<\/strong> versions require an<strong> Intel<\/strong> processor. <strong>Antares Auto-Tune Live<\/strong> can be bought from the online store of Antares. The price is<strong> $249.00<\/strong> and a <strong>demo version<\/strong> can be also download for free.<\/p>\n\n\n\n<p><strong>Source:<\/strong> <a href=\"http:\/\/www.antarestech.com\/\" target=\"_blank\" rel=\"noopener nofollow\">Antares Audio Technologies Press Release<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Antares Audio Technologies has announced the Auto-Tune Live Real-Time Pitch Correction Plug-in. Featuring Antares&#8217; world standard Auto-Tune professional pitch correction, Auto-Tune Live is a real-time tool for correcting pitch errors, creatively modifying the intonation of a performance or producing the iconic Auto-Tune Vocal Effect. Specifically optimized for use in live performance and when tracking in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2571,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[708,21],"tags":[71,174,416,598],"class_list":{"0":"post-2570","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-fx","8":"category-audio-plugins","9":"tag-antares","10":"tag-download","11":"tag-plugins","12":"tag-vocal-correction"},"_links":{"self":[{"href":"https:\/\/audiopronews.com\/wp-json\/wp\/v2\/posts\/2570","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/audiopronews.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/audiopronews.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/audiopronews.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/audiopronews.com\/wp-json\/wp\/v2\/comments?post=2570"}],"version-history":[{"count":0,"href":"https:\/\/audiopronews.com\/wp-json\/wp\/v2\/posts\/2570\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/audiopronews.com\/wp-json\/wp\/v2\/media\/2571"}],"wp:attachment":[{"href":"https:\/\/audiopronews.com\/wp-json\/wp\/v2\/media?parent=2570"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/audiopronews.com\/wp-json\/wp\/v2\/categories?post=2570"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/audiopronews.com\/wp-json\/wp\/v2\/tags?post=2570"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}