{"id":1770,"date":"2011-10-15T22:56:51","date_gmt":"2011-10-15T22:56:51","guid":{"rendered":"http:\/\/www.audiopronews.com\/?p=1770"},"modified":"2020-09-06T15:12:07","modified_gmt":"2020-09-06T15:12:07","slug":"m-audio-bx8-d2-and-bx5-d2","status":"publish","type":"post","link":"https:\/\/audiopronews.com\/monitors\/m-audio-bx8-d2-and-bx5-d2\/","title":{"rendered":"M-Audio announces the new BX8 D2 and BX5 D2 Studio Monitors"},"content":{"rendered":"\n

M-Audio BX Studio Monitor Series<\/strong> is trusted by more musicians and sound engineers than any other. In fact, as MI SalesTrak\u00ae reports January 2009 – December 2010<\/strong> says, M-Audio BX5a Deluxe Studio Monitors<\/strong> are the best-selling in United States. M-Audio BX8 D2<\/strong> and BX5 D2 Studio Monitors<\/strong> extend this legacy with an elegant new design inside and out. Custom Class A\/B analog amplifiers deliver superior dynamics and tonal accuracy across the frequency spectrum – while the latest-generation woven Kevlar low-frequency drivers and waveguide-loaded silk dome tweeters provide rich, defined sound.<\/p>\n\n\n\n

M-Audio BX5 D2 70-Watt Bi-Amplified Studio Monitors Top Features<\/strong><\/h2>\n\n\n\n
\"M-Audio<\/figure>\n\n\n\n
  • bi-amplified design with 70 watts of distributed power for cohesive, accurate sound<\/li>
  • 5\u201d low-frequency drivers with Kevlar cones for rich, defined lows<\/li>
  • 1\u201d high-frequency drivers with natural silk domes and integrated waveguides for smooth, clear highs<\/li>
  • optimized rear ports for extended low-frequency response<\/li>
  • magnetic shielding eliminates interference with other electronic equipment<\/li>
  • XLR balanced and 1\/4\u201d balanced\/unbalanced inputs for connecting mixers, amplifiers, instruments, DJ gear, and more<\/li>
  • volume control<\/li>
  • includes two isolation pads<\/li><\/ul>\n\n\n\n

    The price for M-Audio BX5 D2 70-Watt Bi-Amplified Studio Monitors is USD 399.95 MSRP<\/strong><\/p>\n\n\n\n

    M-Audio BX8 D2 130-Watt Bi-Amplified Studio Monitors Top Features<\/strong><\/h2>\n\n\n\n
    \"M-Audio<\/figure>\n\n\n\n
    • bi-amplified design with 130 watts of distributed power for cohesive, accurate sound<\/li>
    • 8\u201d low-frequency drivers with Kevlar cones for rich, defined lows<\/li>
    • 1-1\/4\u201d high-frequency drivers with natural silk domes and integrated waveguides for smooth, clear highs<\/li>
    • optimized rear ports for extended low-frequency response<\/li>
    • magnetic shielding eliminates interference with other electronic equipment<\/li>
    • XLR balanced and 1\/4\u201d balanced\/unbalanced inputs for connecting mixers, amplifiers, instruments, DJ gear, and more<\/li>
    • volume control<\/li>
    • includes two isolation pads<\/li><\/ul>\n\n\n\n

      The price for M-Audio BX8 D2 130-Watt Bi-Amplified Studio Monitors <\/strong>is USD 599.95 MSRP<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

      M-Audio BX Studio Monitor Series is trusted by more musicians and sound engineers than any other. In fact, as MI SalesTrak\u00ae reports January 2009 – December 2010 says, M-Audio BX5a Deluxe Studio Monitors are the best-selling in United States. M-Audio BX8 D2 and BX5 D2 Studio Monitors extend this legacy with an elegant new design […]<\/p>\n","protected":false},"author":1,"featured_media":1777,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[51,315,336,356,376],"class_list":{"0":"post-1770","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-monitors","8":"tag-active-studio-monitors","9":"tag-m-audio","10":"tag-midfield-monitoring","11":"tag-monitors-2","12":"tag-nearfield-monitoring"},"_links":{"self":[{"href":"https:\/\/audiopronews.com\/wp-json\/wp\/v2\/posts\/1770","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/audiopronews.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/audiopronews.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/audiopronews.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/audiopronews.com\/wp-json\/wp\/v2\/comments?post=1770"}],"version-history":[{"count":0,"href":"https:\/\/audiopronews.com\/wp-json\/wp\/v2\/posts\/1770\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/audiopronews.com\/wp-json\/wp\/v2\/media\/1777"}],"wp:attachment":[{"href":"https:\/\/audiopronews.com\/wp-json\/wp\/v2\/media?parent=1770"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/audiopronews.com\/wp-json\/wp\/v2\/categories?post=1770"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/audiopronews.com\/wp-json\/wp\/v2\/tags?post=1770"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}